IMAGES TAKEN NEAR TO
Glebe Place, LONDON, SW3 5JP

Looking south-southwest.

Looking north-northeast.

A Studio house of 1868-71 for the landscape artist George Boyce by Philip Webb. Quoting a Pevsner entry - "..a design both sound and imaginative; a three bay front with projecting two-storey porch looks down the street red brick with white sash-windows, one of the earliest occurrences of this symptom of Queen Anne revival.." To which a west wing addition was made in 1876 also by Philip Webb.

Off Old Church Street. Detail of brick gable with cow's head on a roundel. Dates say Established 1796 and also 1908.

Looking north-northwest.

In an old copy of Pevsner's 'The Buildings of England' I found mention of a house in Glebe Place where the Scottish architect had lived in the last years of his life. - 'His alterations to the front can easily be recognised'. That puzzled me, as I'd been a weekly visitor to Glebe Place in my student days, but had no recollection of any building in CRM's style. Around about that time I'd been round his School of Art in Glasgow, and made the pilgrimage to Helensburgh to see Hill House - so I have a fair idea of what to look for. Approaching from the King's Road, I knew that the house I was looking for was in the short east-west stretch at the southern end of Glebe Place. There weren't many to choose from. One was a little cottagey place with a long low six-light window on the first floor. Arts & Crafts influence, maybe, but not Mackintosh. But then further along there's a blue plaque (on a door) commemorating CRM and his wife 'who worked from this building from 1915 to 1923'. Just beyond the plaque - to the right - there is the house shown in my picture. I recognised Mackintosh features at first sight - expanses of pale, blank wall, and black iron railings set in low copings which sweep up to join the columns on either side of the doorway. Even the bushes look like the 'lollipops' in a CRM sketch. And - to get really architectural - there's the 'massing of volumes'. But then, if you turn left round the corner, you find that the site is a deep one, stretching some way along the narrow road. And there's a double garage in the same style - but CRM can't possibly have designed that! From what I've found on the web, it seems that the building incorporates some of the fabric of the Mackintoshes' studios, but the design is quite recent. To be kind you might call it a CRM 'tribute building' - rather than a fake. The exterior is undeniably a sensitive and imaginative job. On the other hand, illustrations of the interior show spaces quite unlike anything CRM could have imagined. That saddens me, as the Mackintoshes were such inspired designers of interior spaces and of furnishings. For me, the mismatch between inside and out in the Glebe Place house undermines the whole project.