IMAGES TAKEN NEAR TO
Blyth Close, HALESWORTH, IP19 9EE

(Near St.Peter's Church)

Now that the massive ancient tree that had been growing in the churchyard has been felled it is possible to get a view of St Peter's south side > http://www.geograph.org.uk/photo/1887181. The church is of Norman origins. Tower and arcade were added in the 14th century and the nave and aisle windows date from the 16th century. The octagonal baptismal font > http://www.geograph.org.uk/photo/1887218 dates from the 15th century, the pulpit > http://www.geograph.org.uk/photo/1887207 is Jacobean. The church's greatest treasure is the Doom, a Last Judgement painting believed to have been made by a monk from Blythburgh in around 1480. Originally it was placed in the upper section of the chancel arch and probably covered up (and forgotten about) during the Protestant reign of Edward VI in 1549. In the course of a late 1800s restoration this whitewashed 'partition' was disassembled and the parts taken out into the churchyard, awaiting demolition. After heavy rainfalls had washed off some of the plaster the underlying paintings became visible and the piece was reassembled, restored and brought back inside the church where it is now displayed on the north wall. Paintings of this type once used to be very common in medieval churches but only very few have survived.

This detail depicts the devil weighing souls. Now that the massive ancient tree that had been growing in the churchyard has been felled it is possible to get a view of St Peter's south side > http://www.geograph.org.uk/photo/1887181. The church is of Norman origins. Tower and arcade were added in the 14th century and the nave and aisle windows date from the 16th century. The octagonal baptismal font > http://www.geograph.org.uk/photo/1887218 dates from the 15th century, the pulpit > http://www.geograph.org.uk/photo/1887207 is Jacobean. The church's greatest treasure is the Doom > http://www.geograph.org.uk/photo/1887220 - a Last Judgement painting believed to have been made by a monk from Blythburgh in around 1480. Originally it was placed in the upper section of the chancel arch and probably covered up (and forgotten about) during the Protestant reign of Edward VI in 1549. In the course of a late 1800s restoration this whitewashed 'partition' was disassembled and the parts taken out into the churchyard, awaiting demolition. After heavy rainfalls had washed off some of the plaster the underlying paintings became visible and the piece was reassembled, restored and brought back inside the church where it is now displayed on the north wall. Paintings of this type once used to be very common in medieval churches but only very few have survived.

This scene depicts souls being dragged into the jaws of hell. Now that the massive ancient tree that had been growing in the churchyard has been felled it is possible to get a view of St Peter's south side > http://www.geograph.org.uk/photo/1887181. The church is of Norman origins. Tower and arcade were added in the 14th century and the nave and aisle windows date from the 16th century. The octagonal baptismal font > http://www.geograph.org.uk/photo/1887218 dates from the 15th century, the pulpit > http://www.geograph.org.uk/photo/1887207 is Jacobean. The church's greatest treasure is the Doom > http://www.geograph.org.uk/photo/1887220 - a Last Judgement painting believed to have been made by a monk from Blythburgh in around 1480. Originally it was placed in the upper section of the chancel arch and probably covered up (and forgotten about) during the Protestant reign of Edward VI in 1549. In the course of a late 1800s restoration this whitewashed 'partition' was disassembled and the parts taken out into the churchyard, awaiting demolition. After heavy rainfalls had washed off some of the plaster the underlying paintings became visible and the piece was reassembled, restored and brought back inside the church where it is now displayed on the north wall. Paintings of this type once used to be very common in medieval churches but only very few have survived.

Now that the massive ancient tree that had been growing in the churchyard has been felled it is possible to get a good view of St Peter's south side. The church is of Norman origins. Tower and arcade were added in the 14th century and the nave and aisle windows date from the 16th century. The octagonal baptismal font > http://www.geograph.org.uk/photo/1887218 dates from the 15th century, the pulpit > http://www.geograph.org.uk/photo/1887207 is Jacobean. The church's greatest treasure is the Doom > http://www.geograph.org.uk/photo/1887220 - a Last Judgement painting believed to have been made by a monk from Blythburgh in around 1480. Originally it was placed in the upper section of the chancel arch and probably covered up (and forgotten about) during the Protestant reign of Edward VI in 1549. In the course of a late 1800s restoration this whitewashed 'partition' was disassembled and the parts taken out into the churchyard, awaiting demolition. After heavy rainfalls had washed off some of the plaster the underlying paintings became visible and the piece was reassembled, restored and brought back inside the church where it is now displayed on the north wall. Paintings of this type once used to be very common in medieval churches but only very few have survived.

Now that the massive ancient tree that had been growing in the churchyard has been felled it is possible to get a view of St Peter's south side > http://www.geograph.org.uk/photo/1887181. The church is of Norman origins. Tower and arcade were added in the 14th century and the nave and aisle windows date from the 16th century. The octagonal baptismal font > http://www.geograph.org.uk/photo/1887218 dates from the 15th century, the pulpit > http://www.geograph.org.uk/photo/1887207 is Jacobean. The church's greatest treasure is the Doom > http://www.geograph.org.uk/photo/1887220 - a Last Judgement painting believed to have been made by a monk from Blythburgh in around 1480. Originally it was placed in the upper section of the chancel arch and probably covered up (and forgotten about) during the Protestant reign of Edward VI in 1549. In the course of a late 1800s restoration this whitewashed 'partition' was disassembled and the parts taken out into the churchyard, awaiting demolition. After heavy rainfalls had washed off some of the plaster the underlying paintings became visible and the piece was reassembled, restored and brought back inside the church where it is now displayed on the north wall. Paintings of this type once used to be very common in medieval churches but only very few have survived.

This cut mark which still contains its original lead bolt can be found on the south-west buttress of the tower of St Peter's church > http://www.geograph.org.uk/photo/1887181. It is listed in the Bench Mark Database > http://www.bench-marks.org.uk/bm27535.

Now that the massive ancient tree that had been growing in the churchyard has been felled it is possible to get a view of St Peter's south side > http://www.geograph.org.uk/photo/1887181. The church is of Norman origins. Tower and arcade were added in the 14th century and the nave and aisle windows date from the 16th century. The octagonal baptismal font > http://www.geograph.org.uk/photo/1887218 dates from the 15th century, the pulpit > http://www.geograph.org.uk/photo/1887207 is Jacobean. The church's greatest treasure is the Doom > http://www.geograph.org.uk/photo/1887220 - a Last Judgement painting believed to have been made by a monk from Blythburgh in around 1480. Originally it was placed in the upper section of the chancel arch and probably covered up (and forgotten about) during the Protestant reign of Edward VI in 1549. In the course of a late 1800s restoration this whitewashed 'partition' was disassembled and the parts taken out into the churchyard, awaiting demolition. After heavy rainfalls had washed off some of the plaster the underlying paintings became visible and the piece was reassembled, restored and brought back inside the church where it is now displayed on the north wall. Paintings of this type once used to be very common in medieval churches but only very few have survived.