1
View out onto Lime Street from Leadenhall Market
Looking south-southwest.
Image: © Robert Lamb
Taken: 2 Jul 2017
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2
Looking up at 120 Fenchurch Avenue
120 Fenchurch Avenue is a new-build with a roof garden and restaurant. Hogarth Court (the passageway tunnelling through the building and leading to the entrance of the roof garden and restaurant) has an impressive ceiling with an electronic ceiling with flowers on it, as you'll see shortly in the following photos. Looking southeast.
Image: © Robert Lamb
Taken: 3 Nov 2019
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3
Willis Building
View of the new Willis Building seen from Fencourt.
Image: © Peter McDermott
Taken: 14 Sep 2008
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4
View along the top of a fire gate on Lime Street
Looking west.
Image: © Robert Lamb
Taken: 8 Oct 2016
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5
View out towards Lime Street from Leadenhall Market
Looking south-southwest.
Image: © Robert Lamb
Taken: 2 Jul 2017
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6
Looking up at the Willis Building from Fen Court
Looking north-northeast.
Image: © Robert Lamb
Taken: 8 Oct 2016
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7
View along the top of a fire gate on Lime Street #2
Looking west.
Image: © Robert Lamb
Taken: 8 Oct 2016
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8
Gilt of Cain Information Board
This information board is on a wall in Fen Court between Fenchurch Avenue and Fenchurch Street. It has the following wording:
Gilt of Cain
by
Michael Visocchi and Lemn Sissay
This powerful sculpture was unveiled by the Archbishop Emeritus Desmond Mpilo
Tutu on 4th September 2008. The sculpture commemorates the abolition of the
transatlantic slave trade in 1807, which began the process of the emancipation
of slaves throughout the British Empire.
Fen Court is the site of a churchyard formerly of St Gabriel's Fenchurch St and
now in the Parish of St Edmund the King and St Mary Woolnoth, Lombard Street.
The latter has a strong connection with the abolitionist movement of the 18th
and 19th centuries. The Rev John Newton, a slave trader turned preacher and
abolitionist, was rector of St Mary Woolnoth from 1780-1807. Newton worked
closely alongside the famous abolitionist William Wilberforce.
The granite sculpture is composed of a group of columns surrounding a podium.
The podium calls to mind an ecclesiastical pulpit or slave auctioneer's stance,
whilst the columns evoke stems of sugar cane and are positioned to suggest an
anonymous crowd or congregation gathered to listen to a speaker.
The artwork is the result of a collaboration between sculptor Michael Visocchi
and poet Lemn Sissay. Extracts from Lemn Sissay's poem, 'Gilt of Cain', are
engraved into the granite. The poem skilfully weaves the coded language of the
City's stock exchange trading floor with biblical Old Testament references.
HERE IS THE ASK PRICE ON THE CLOSED POSITION
HISTORY IS NO INHERENT ACQUISITION
FOR HERE THE TECHNICAL CORRECTION UPON THE ACT,
A MERGER OF TRUTH AND IN ACTUAL FACT
ON THE SPOT, ON THE MONEY - THE SPREAD.
THE DEALER LIED WHEN THE DEALER SAID
THE BULL WAS CHARGING THE BEAR WAS DEAD,
THE MARKET MUST CALCULATE PER CAPITA, NOT HEAD.
AND GREAT TRADERS ACTING IN CONCERT, ARMS RISE
AS THE ACTUALS FROUGHT ON THE SEA OF FRANCHISE
THROWN OVERBOARD INTO THE EXCHANGE TO DROWN
IN DISTRESSED BROKERS DISCONSOLATE FROWN.
IN ACCOUNTING LIQUIDITY IS A MOUNTING MORBIDITY
BUT RAISING THE ARMS WITH SUCH RIGID RAPIDITY,
OH THE REAPING THE RAPING RAPACIOUS FLUIDITY
THE VIOLENCE THE VICIOUS AND VEXED VOLATILITY.
THE ROARING TRADE FLOOR RISES ABOVE CRASHING WAVES:
THE TRADERS BUY SHIPS, BENEATH THE SLAVES.
SWAY MACHETE BACK, SWAY MACHETE AGAIN
CUT BACK THE SUGAR RUSH, CAIN.
THE WHIPSAW IT'S ALL AND THE WHIP SAW IT ALL
THE RISING MARKET AND THE CARGO FALL
WHO'LL ENTER "JERUSALEM" MAKE THE MARGIN CALL FOR ABEL?
WHO WILL KICK OVER THE STALL AND TURN THE TABLE?
CAIN GATHERS CANE AS GILT-GIFT TO HIS LAND
BUT WHOSE SWORD OF TRUTH SHALL NOT SLEEP IN HAND?
WHO SHALL UNLOCK THE STOCKS AND SHARE?
BREAK THE BOND THE BIND UNBOUND - LAY BARE
THE TRUTH, CASH FLOW RUNS DEEP BUT SPIRIT DEEPER
YOU ASK AM I MY BROTHERS KEEPER?
I ANSWER BY NATURE BY SPIRIT BY RIGHTFUL LAWS
MY NAME, MY BROTHER, WILBERFORCE.
This project was initiated by Black British Heritage and the Parish of St Mary
Woolnoth and was commissioned by the City of London Corporation in partnership
with The British Land Company
Image: © David Hillas
Taken: 14 Sep 2022
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9
Fenchurch Avenue
The building on the left is the accurately-named Fenchurch Avenue Building (2005-08, by Foster & Partners).
The facing buildings are 19-21 Billiter Street, offices of 1865 built of Portland stone with bands of red stone. Grade II listed.
Image: © Stephen Richards
Taken: 14 May 2011
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10
View of a bright red sculpture outside the Willis building
Looking south-southwest.
Image: © Robert Lamb
Taken: 8 Oct 2016
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