PARLIAMENTARY DEBATE
AI: Creative Industries - 22 February 2024 (Commons/Commons Chamber)

I recognise the enormous potential of AI, but also its risks. I have had extensive engagement with the creative sector on these issues, including a series of roundtable talks on AI with, among others, media, music and film representatives. I am now working closely with the Secretary of State for Science, Innovation and Technology on a programme of further engagement with the sector.

I thank the Secretary of State for that answer, but creators across the creative industries are concerned about AI developers, some of whom are worth as much as $100 billion, using their works without consent and without compensation. The inability of the Government’s working group to agree a code of practice on AI and intellectual property fuels concerns that the status quo is working only for the developers. This will be a growing problem. If a voluntary code is not going to be possible, how will the Government and her Department in particular ensure that creators will be paid fairly when their work is exploited?

I understand this issue and the concerns that my hon. Friend has mentioned. I know that, as Chair of the Culture, Media and Sport Committee, she understands and appreciates these matters. I want to assure her that the conclusion of the initial public offering working group is absolutely not the end of our work to find an appropriate regulatory solution for AI. We are absolutely committed to ensuring that AI development supports rather than undermines human creativity. For example, we will be focusing on ensuring greater transparency from AI developers and that AI outputs are properly attributed. It is also right, as she highlights, that creators should be compensated for their work.

Good morning, Mr Speaker. AI firms are committing large-scale abuse of copyrighted material, using copyrighted images and pieces of media to train their AI tools without consent or compensation for copyright owners. The United Kingdom Government say that they want to reduce barriers to AI companies, but that can only come at the expense of creators and artists. How does it make sense to sacrifice the 10% of UK GDP that comes from the creative sector in favour of less than a quarter of a per cent of GDP that AI produces?

I recognise the point that the hon. Member makes in relation to the importance of protecting creative rights—the creative ingenuity that is such an important part of both our British culture and economic value. That is why I am hearing from the sector, and why, in the Government’s AI White Paper, we recognise the importance of ensuring greater transparency from AI developers. We are continuing to work on that across Government.

I call the shadow Minister.

I am sorry, but the Government’s answer to the Chair of the Culture, Media and Sport Committee was a load of hot air that could have been written by ChatGPT, except ChatGPT would have done a better job of it. The truth of the matter is that the Government’s flagship on AI as it relates to creative industries, which is meant to be protecting the moral and economic rights of artists, musicians, and authors, while at the same time recognising the important advances that AI can bring, has sunk. Last June, the Secretary of State said that if the code of practice was not achieved, legislation could be considered. So, in the words of Paul Simon, when is she going to make a new plan, Stan?

I would just point out that the Labour party has said absolutely nothing in relation to what it would do, so to stand up here and say that we have no plan is absolutely unacceptable. I can be absolutely clear that we do have a plan. We have worked very hard with the sectors. We have already set out in our White Paper the steps that we are taking on a very important aspect in relation to transparency. I will continue to work with the sector on all these areas to ensure that this extremely complex matter comes to a satisfactory conclusion for the creative industries.