PARLIAMENTARY DEBATE
Community-owned Assets: Government Support - 20 April 2026 (Commons/Commons Chamber)
Debate Detail
The Ultimate Picture Palace is the only remaining independent cinema in Oxford. Founded in 1911, it shows an eclectic mix of independent, international and classic films, all in its cosy single-screen auditorium. This beautiful cinema is a real landmark in Jeune Street, abutting Cowley Road in the heart of east Oxford. It was built when dangerously flammable outdoor screenings were being replaced with screenings in safer buildings. The heritage of tented outdoor shows is clear in the beautiful art deco building, not least because of the original box office window, which opens straight out on to the street. The team of staff and volunteers who run the cinema is small but passionate.
In 2022, the cinema became community-owned when 1,200 local people took a stake in it. It is a vibrant place, defying national trends in ticket sales. At a time when thousands of community assets have closed, the UPP stands as a reminder that a different model is possible, and that that model works. It aims to be a leader in community cinema, empowering local people to determine the future of this neighbourhood venue and enabling all local residents, from families to young people, students, workers and community groups, to be uplifted through the joy of cinema. It has hosted numerous festivals, and it really does cater for all. Last year, it screened a wider variety of films than any other cinema in the city, as well as attracting new audiences by, for example, introducing special “Kino Kids” screenings, and through the development of a new education programme. The cinema’s relaxed and welcoming atmosphere means that anyone can come and enjoy a film, whether on their own or with friends or family.
I have heard many wonderful stories about the way in which this small community cinema has shaped local people’s lives. One of the most moving was the story of a new year’s eve screening 50 years ago; it was when a resident who had moved to Oxford finally felt at home in my city. Dame Pippa Harris, co-producer of the Oscar-winning film “Hamnet”, came to the UPP as a young person, and has said,
“Big dreams started in that little cinema and I’m lucky my dream came true”.
Perhaps my favourite quote about the cinema came from the sadly late true Oxford original Bill Heine, who said of his approach to the cinema when he ran it:
“Look, if you’re going to sail why not sail in dangerous waters. Who wants to play around on the beach?”
The UPP has a truly incredible, storied history, from legal fights with Stanley Kubrick and the BBC to the squatted “Section 6” cinema, right through to today’s community ownership.
To be fit for the future, this special cinema needs to invest in better access, sightlines and sound quality, and more efficient use of energy. It has planning permission for those changes, and funders who are keen to support them if their requirements for a long-term lease are met—but herein lies the problem. The landlord of this community-owned asset, Oriel College, will not commit to such a long-term lease. That is because, it appears, the building is in the footprint of its plans for a “fifth quad” to accommodate graduate students. The idea of the cinema’s being used for that purpose strikes me, and local residents, as very strange. The building is Grade II listed, which reflects its historical status and striking exterior and interior. It is one of the oldest independent cinemas in England, and the only one that is community-owned.
I and thousands of local residents have called on Oriel College to grant the cinema the long-term lease it needs; indeed, a petition calling for this has gained nearly 20,000 signatures in a matter of weeks. The granting of this lease would be great for local students, and could unlock exciting collaboration between the cinema and Oriel College. There are some brilliant examples of higher education institutions working with arts organisations in the UK, and such co-operation could make the UPP an even more special place. So far, Oriel College appears not to have recognised the potential benefits of engaging with the Ultimate Picture Palace in this way. I urge it to reconsider, and to grant the UPP its long-term lease. I urge the Government to recognise the value of community assets like the UPP, and to go further to protect them.
A recent measure that the Government have been working on, and which will help in this area, relates to the community right to buy, which I know the Minister is really passionate about. The community right to buy is about giving local people the right to own and protect the places that matter to them, from pubs and parks to community centres and sports grounds. When communities have a real stake, as they do with the UPP, they do not just preserve assets; they make them thrive. This reflects a core co-operative belief—fundamental for the Co-op party, of which I am a member—that communities are best placed to shape their future. Where communities have succeeded in ensuring that vital shared spaces can continue to exist, they have done so despite the system, not because of it. The current situation brings into sharp relief how many hurdles communities face in trying to take control of the places that matter most.
The Ultimate Picture Palace is just one example of a community-owned asset facing blockages. We know that communities elsewhere are not eligible for funding streams or tax relief, and that there often is not the correct development support for those trying to pursue community ownership. The community right to buy will mark a landmark shift, but we need to go further, and I know that the Co-op party has argued this.
In conclusion, I urge the Minister, first, to co-ordinate policy on community assets with other Departments, so that we can truly unlock their promise. Secondly, I urge her to work with Culture, Media and Sport Ministers and Education and Skills Ministers to encourage place-based collaboration between arts and cultural organisations and higher education providers.
My third ask of the Minister is that she comes to the Ultimate Picture Palace and experiences the magic of cinema. She will find a friendly welcome, lovely drinks and snacks, and a dedicated team of staff and volunteers. If she comes, she will experience what promoters of the cinema said it would deliver when it was built right back in 1911: “Real fun and instruction”, in a beautiful building. Long live community cinema, and long live the Ultimate Picture Palace!
Community-owned assets matter because they are not just buildings, but places where people meet, organise, volunteer, learn and support one another. When communities lose them, they lose not just bricks and mortar, but connection, pride and opportunity. That is why this Government believe strongly that communities should have more power to protect the places they value. My right hon. Friend is seeing that at first hand in Greater Leys, as it is one of the neighbourhoods receiving long-term funding and support through the Pride in Place programme. That 10-year commitment reflects both the strength of the community and the challenges it faces, and it gives local people the certainty they need to plan ahead and to shape the area for the long term.
Alongside the Pride in Place programme, the Government have also introduced the Pride in Place impact fund. The fund is designed to provide rapid, visible improvements to community spaces, public places and high streets in areas that need immediate support. Further communities across the country are benefiting from that additional route for action, where quicker intervention is needed.
Together, the two approaches reflect a deliberate choice by this Government to combine long-term, locally-led change with the ability to respond quickly where urgent improvements are required. They serve different purposes, but both are rooted in the same fundamental principle of putting communities in the driving seat and ensuring that they decide what is best for their area and their priorities.
Motion made, and Question proposed, That this House do now adjourn.—(Stephen Morgan.)
The Pride in Place programme complements the rights we are giving to neighbourhood boards, and the freedom to invest in community ownership and renewal. That might mean restoring a valued building or bringing empty spaces back into use. Whatever the priority, it has to be driven locally and not imposed from Whitehall.
There is a bigger piece for us, though, which is that we absolutely believe it is right to empower communities to take on assets. This is a principle that we believe in; we believe in co-operative ownership and community ownership. We are conferring rights through the English Devolution and Community Empowerment Bill in order to drive that forward. We must continue building on it to ensure that we are giving communities the wherewithal, the resources and the know-how to be able to exercise those rights. We are committed to doing this to ensure that communities can take on and maintain assets, because it is fundamental to our view of how we drive change in place.
Ultimately, this Government are clear that we were elected to do things differently, because business as usual is not working for too many of our communities. That means moving away from short-term competitive bidding and towards longer-term, locally-led change. It means trusting our communities, backing their ideas and giving them the tools to succeed.
I once again thank my right hon. Friend the Member for Oxford East for raising the important issue of community ownership and community power so eloquently. She is right to shine a light on this subject. We will continue to work through Pride in Place and community right to buy and by providing targeted support for urgent local needs to ensure that our ambition for communities is matched in practice and in reality.
My right hon. Friend spoke about encouraging collaboration between arts and culture organisations and higher education providers, and this work has begun; we are working closely with the Department for Culture, Media and Sport and the Department for Education to ensure that we are aligned. I will continue that collaboration, as she suggests. I would absolutely love to accept her invitation to visit the Ultimate Picture Palace—I think it will probably be the highlight of my year. I look forward to working with her and with Members across the House who have a shared commitment and ambition for what we can achieve by empowering our communities to drive the change that they are so desperate to see. The Government are committed to this aim, and we will work diligently and effectively with all Members across the House to make it a reality.
Question put and agreed to.
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