Plaque to Richard & William Westall at The Maltings

Introduction

The photograph on this page of Plaque to Richard & William Westall at The Maltings by Sean Davis as part of the Geograph project.

The Geograph project started in 2005 with the aim of publishing, organising and preserving representative images for every square kilometre of Great Britain, Ireland and the Isle of Man.

There are currently over 7.5m images from over 14,400 individuals and you can help contribute to the project by visiting https://www.geograph.org.uk

Plaque to Richard & William Westall at The Maltings

Image: © Sean Davis Taken: 22 Oct 2005

Both brothers were painters. Richard was the most acclaimed of the two half brothers. His paintings included portraits of Queen Victoria and Lord Byron. Some of the finest British engravings from the late 18th and early 19th centuries were designed by Richard Westall. During the 1790's he was commissioned by the famous publisher John Boydell to work on his large engravings for the Shakespeare Gallery and The Poetical Works of John Milton. These now famous works of art established Westall as a major designer of individual engravings and engravings for illustrated books. He was elected a Fellow of the Royal Academy 1794. In 1827 he was appointed as the drawing master to then Princess Victoria and remained in the post till his death in 1836. William, also born at Hertford, was a much travelled landscape painter. He was taught to paint by his older brother Richard, who secured him a place at the Royal Academy in 1799. Constable and Turner joined the Academy at this time. His work was noticed by Sir James Banks, the botanist who accompanied Captain James Cook on his expeditions, and a consequence of this, in 1801 he sailed in the Investigator under the command of Matthew Flinders on the famous voyage of discovery to Australia. He was the first professional artist to draw the landscape and outline of Australia and the first European to accurately record Aboriginal cave art. His work helped Great Britain to claim sovereignty over Australia. His sketches and paintings from the journey are still acclaimed to be some of the best of Australian landscape. On reading about William Westall, he was young; he seemed to have had his own agenda and took his time to return with his work. He got shipwrecked on the Porpoise and many of his drawings were lost or damaged. He enjoyed some extra sightseeing in China and Ceylon delaying his return home with his eagerly awaited drawings. This as you can imagine frustrated the British Government as they were in a race with France and other countries to claim Australia as their own. This is on the route of the London Green Belt Way.

Images are licensed for reuse under creativecommons.org/licenses/by-sa/2.0

Image Location

coordinates on a map icon
Latitude
51.794202
Longitude
-0.081573